Work from Memorandoms.
"That political battle between past legacies and future potentials is one point of departure to consider when viewing “Memorandoms,” an exhibition of new photo works by Vancouver artist James Nizam at Gallery Jones. For the series, Nizam used Little Mountain’s abandoned residences as a studio, exploring the site’s echoing histories and lingering physical traces. Nizam has practiced this strategy before. In series such as Dwellings and Anteroom he occupied soon-to-be-demolished homes, turning empty rooms into camera obscura which he then photographed, capturing the living outside world on the unhinged doors and broken walls of a derelict past.
Rather than projecting new life onto his subjects, Nizam, in his Memorandoms series, suggests residual life in them. Each photo depicts a sculptural construction that the artist cobbled out of Little Mountain’s detritus. Piled chairs, drawers and light bulbs become a kind of memento mori, impromptu gestures to monumentalize a fleeting existence. Knowing that the destruction of these spaces was near adds urgency to these photos, but perhaps Nizam’s mmessage is this: the wrecker’s ball doesn’t always have the final word." - via Canadian Art
The chosen space is interesting. It fits well with the colors of the sculptures. The sculptural shapes are visually pleasing.
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