To obtain the video, the artist fills out 31 separate Subject Access Request forms, and compiles the footage into a video installation. The videos are projected on multiple screens while the viewer sits in desk chairs amid bulky filing cabinets, placed in the role of the surveillance operators.
Monday, February 16, 2009
Jill Magid
To obtain the video, the artist fills out 31 separate Subject Access Request forms, and compiles the footage into a video installation. The videos are projected on multiple screens while the viewer sits in desk chairs amid bulky filing cabinets, placed in the role of the surveillance operators.
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